Poetry on video: Seven poems from Scapegoat’s Cross

I’ve created a playlist on my YouTube channel (rickbeldenpoet) for the video readings I made a while back of poems from my second (still unpublished) book, Scapegoat’s Cross: Poems about Finding and Reclaiming the Lost Man Within. The seven poems included in the video series are:

  • lost man
  • falling through
  • wild cactus dancer
  • secret children
  • tired of being a bullet
  • use everything
  • face my ghosts

You can watch me read these seven poems in sequence using the player above, or you can click here to select and play individual videos directly from the YouTube page for the playlist.

PDF versions of these and many other poems from Scapegoat’s Cross are available on the “New Book” page of my website.

seeking artist for Scapegoat’s Cross

I’m looking for an artist, preferably in the Austin area, to create a series of illustrations for my second book of poetry, Scapegoat’s Cross: Poems about Finding and Reclaiming the Lost Man Within. Specifically, I need a total of seven individual illustrations, each of which will open one of the seven parts of the book. My expectation is that one of these seven illustrations will also appear on the cover of the book.

The interior of the book will be printed in black & white (no color) so I’m looking for illustrations that can be reduced to 4.5″ x 4.5″ for a 6″ x 9″ book and reproduced in halftones without losing the effect of the original artwork.

My goal is to develop artwork for the book that expresses, distills, frames, and amplifies the themes, energies, and tones present in the writing. My intention is to provide the reader with a visual context that both introduces and reinforces the material in each section.

This project will require an artist who is able to feel some resonance with the written material and is also capable of translating challenging subject matter and strong archetypal themes from the verbal to the visual, in a manner that is both subtle and powerful.

My preferred style of work for this project is collaborative. I have specific images, themes, and/or visual concepts in mind, in a very raw form, for six of the seven sections of the book, and I would expect all or most of these visual reference points to be incorporated into the finished illustrations. But I’m also looking forward to a creative process that includes input from the artist with regard to concepts and thematic visualization, and I believe that level of active participation on the part of the artist will be essential to the success of the project.

If you think this project may interest you, I encourage you to have a look at the “New Book” page on my website, where you can view the table of contents and read excerpts to get a better idea of tone, style, and themes. You might also find it useful to explore some of the other material on the site (most of which is drawn from or related to my first book) to give yourself some additional reference points.

If you think you might be a good candidate for this project, please contact me via the email address listed on my website at http://rickbelden.com/contact and let me know how I can see some samples of your work.

“Poetry for men” and other problematic labels

I’m not crazy about labels, but I understand that they can be useful and necessary in helping us sort through the mass of information to which we’re all constantly exposed. For some time now, I’ve been struggling with the problem of how best to characterize my writing, as a way of introduction for those who haven’t seen it. Is it poetry for men, men’s poetry, male poetry? Is it survivor poetry? Healing poetry? Recovery poetry? Transformational poetry? Body-centered poetry? Psychospiritual poetry? Poetry therapy? What do these terms actually mean, what do they convey to others about my work, and are they even accurate?

Initially, I was reluctant to call what I was writing “poetry” at all. The use of that word struck me as a bit … I dunno … conceited? Self-important? Pretentious? Preposterous? I wasn’t even sure I knew what poetry was. It seemed to be a lot of things, according to who was writing it and who was reading it, and it struck me as one of those words that’s somehow developed so many different meanings and connotations that it barely means anything at all anymore, like “love” or “god.”

I was also concerned that, for a lot of folks, the word “poetry” can be roughly translated into “something I’m not gonna want to read.”

Ultimately, I set all of those concerns aside because I knew that what I was writing certainly wasn’t prose, and I needed to use some sort of recognizable terminology to describe it. So it’s poetry … okay. What kind of poetry?

Every one of the labels I listed above (poetry for men, survivor poetry, etc.) expresses one very specific aspect of my writing while excluding many others. It reduces the work, in some substantial way, to something far less than what it actually is. There are also connotations and assumptions associated with each of these labels that may or may not be accurate and appropriate in the case of my writing. And that’s something I’d prefer to avoid if I can.

If, for example, I describe Iron Man Family Outing as “poetry for men” then I feel like I’m basically telling women, “This book is not for you.” But that’s not the message I want to send, and it’s not true. About half of my readers are women, and they relate to the material just as strongly as the men do. If I characterize Scapegoat’s Cross as “poetry for adult survivors of childhood abuse” then those who would not describe themselves in that way might think, “There’s nothing in this book that will speak to me.” But that’s not true either, and it’s not the impression I want anyone to have. While the adult survivor theme is central and very critical to the structure of Scapegoat’s Cross, the scope of the book is much broader, and much more universal, than that.

How do I accurately communicate, with a non-ambiguous label consisting of two or three words, the depth and the breadth, the variety and the richness, the individuality and the universality of the transformational processes I’m attempting to illuminate and share in my writing? I still don’t have an answer. To borrow from Zen, words are “but a finger pointing to the moon.” I guess I’ll just keep trying out all of my fingers until I find the ones that point the best.

First recommendation for Scapegoat’s Cross

My new, yet-to-be-published book, Scapegoat’s Cross: Poems about Finding and Reclaiming the Lost Man Within, has received its first recommendation. Austin therapist Kellen Von Houser, who has been exploring the role of the scapegoat in dysfunctional family systems at her blog Kellevision, described Scapegoat’s Cross as “beautiful and heartfelt” in a recent post entitled “Reading about the Scapegoat Role”.

I’m honored and encouraged by Kellen’s recommendation, and hopeful that I can continue to move this new work forward.

Two years ago today …

Two years ago today, I woke up on a Sunday morning, the day after an important conversation with someone close, and wrote the following letter:

Hello,
I’m writing to offer you a complimentary copy of my book, Iron Man Family Outing. I believe this book may be of interest to you. I would be very happy to provide you with a copy at no cost to you, shipping and handling included.

There’s no catch here and no hidden agenda. The simple fact is that I printed more copies than I’ve been able to sell, and I don’t want the remaining copies to go to waste.

Over the years, I’ve received many positive, enthusiastic responses from folks who’ve read and enjoyed this book. I’ve also discovered just how difficult it is to promote and distribute work of this nature. My primary interest now is to get the remaining copies of my book to people who would find it personally meaningful.

I’m enclosing some introductory information about the book, including a brief excerpt. Please contact me if you would like to receive a copy or if you need any additional information.

Regards,

Rick Belden
Author, Iron Man Family Outing

With that, Iron Man Family Outing, published in the fall of 1990 and then forgotten and presumed dead for the next seventeen years, was reborn.

I didn’t have a website two years ago today. I didn’t have a blog. I didn’t have even one reader review for Iron Man Family Outing at Amazon, or anywhere else on the web for that matter. All I had was a closetful of unsold books and a renewed conviction that it was important that I get them out to people who could make use of them.

In the two years since that day, I’ve contacted over 1800 individuals and organizations around the world, and sent out nearly 900 copies of Iron Man Family Outing to recipients in the US, Canada, the United Kingdom, Ireland, Australia, New Zealand, and South Africa. It’s now being used worldwide by therapists, counselors, men’s groups, and organizations that work with men as an aid in the exploration of masculine psychology and men’s issues, and as a resource for men who grew up in dysfunctional, abusive, or neglectful family systems. It’s been ranked in the top 20 poetry books and the top 35 books on father-son relationships at Amazon.com, based on reader reviews. I’ve made new friends and allies all around the world who are working to help men grow and heal. And I have the most unexpected result of all, the completed manuscript for a brand-new book: Scapegoat’s Cross, my first new work in nearly twenty years.

It’s clear to me now, in retrospect, that events in my life had been leading me back to my unfinished business with the Iron Man Family Outing project since 2004, but I didn’t know that two years ago today. All I knew was that I woke up on a Sunday morning with a letter in my mind and an undeniable imperative to finish what I’d started all those years ago, to see my original vision for the book through to its completion, even if I had to give away every copy I had to do it.

I don’t know where this process will lead me in the future. Two years ago, I never expected to be where I am with this work today. I hadn’t written a line of poetry in over fifteen years. I was haunted by my failure to find an audience for Iron Man Family Outing and considered myself dead as a writer. Fortunately, things have changed.

Well, not everything has changed. I’m still fighting the battle of “soul versus survival” daily. Some days are harder than others. As I wrote almost a year ago in a blog entry entitled “go crazy or starve”:

Every morning when I wake up and don’t have time to write because some meaningless job is demanding its daily pound of flesh in exchange for a little more survival time, I feel like I’m terminating a pregnancy. It’s absolutely wrenching. I start the day sad, furious, and hopeless.

It’s still happening. It happened yesterday. I could feel something coming and I made some notes, but there was no time to allow it to develop or complete. It may come back to me. It may not.

But I’m fighting to keep the channel open, even if it means suffering the pain of losing all those things I never get to finish, because the last two years have shown me that it matters that I keep trying and do what I can, and because two years ago today I began to remember, for the first time in over fifteen years, who I am and what my life is about.

A meaningless job is going to eat my morning again today, but I woke up about two hours ago at 4 AM, after a couple of hours of restless semi-sleep, and realized I couldn’t let this anniversary go by without observing it in some way. This is my life now. The work drives me, it nags at me, it makes me miserable and keeps me awake until I tend to it.

It’s hard, it’s demanding, it’s draining, it doesn’t leave me much time for anything else, and sometimes it feels like it’s just too much for me. It also keeps me alive. And I’m okay with that.

scapegoat’s cross

I'm the judas
I'm the traitor
I'm the one who told.

I'm the scapegoat
I'm the mole
I'm the one they blame.

I'm the one who wouldn't pretend
I'm the one who wouldn't buy in
I'm the one who broke the rules
I'm the one who broke the pact.

I'm the one who broke the seal
I'm the one who broke the silence
I'm the one who spilled the beans
I'm the one who has the problem.

I'm the one who put down his cross
I'm the one who jumped off the train
I'm the one who's got it wrong
I'm the one who doesn't belong.

I'm the black sheep
I'm the scapegoat
I'm the mole
I'm the one who told.

I'm the judas
I'm the traitor
I'm the one they blame.

(PDF version)

Previewing my new book: Scapegoat’s Cross

I’m pleased to announce the completion of the manuscript for my second book. Scapegoat’s Cross: Poems about Finding and Reclaiming the Lost Man Within is both a companion and a follow-up to my first book, Iron Man Family Outing. I’m very proud of this new work and eager to get it out into the world where it may be of use to others.

I’ve posted some preview material on my web site at rickbelden.com/new_book, including an excerpt from the introduction and some of the poems that appear in the book.

I’m also making preview copies of the complete manuscript available to those who’d like an early look. Please see rickbelden.com/new_book for information about getting a preview copy.

BEING MAN: Discovering and Offering Our Masculine Gifts

I received an announcement yesterday regarding an upcoming 12-week study and process group for men in the Austin area called “BEING MAN: Discovering and Offering Our Masculine Gifts” and was very pleased to discover that the facilitators are planning to use some of the material from my book, Iron Man Family Outing:

The group will do a small amount of reading each week from writings by David Deida, Rick Belden, Chogyam Trungpa and others as a starting point for seeing our full role in the world. These writings have very different takes on the journey, and we will work with their ideas to find our own path.

Click here to read the full announcement about the group.

This group, which will be held at Sol Associates in Austin, looks like it will be a great opportunity for everyone who attends, and I’m honored that some of my work will be included as a resource for the group.

For additional information, contact group facilitators Steve Milan and Shelley Imholte.

Update (09/04/09): I’ve been informed that the facilitators of this group will also be using material from my new, yet-to-be-published book, Scapegoat’s Cross, in the group. I’m very happy to see this new material being put to such good use so soon.

down time

today is the first day
	of what's left of my life
today is the last day
	of the dead man's journey.

today I don't poison myself for a pension
today I don't soil my spirit
today I don't split my soul.

yesterday I was
	lightning in a bottle
	a watermelon on the vine
	a rocket on the pad.

today I'm a rusty old pile of railroad spikes
	tossed together in a heap by the tracks
	wondering why the trains don't come anymore.

today I'm quiet
today I don't speak
today I listen.

today I walk the circle
	that leads to the center
	from the outside
	to the inside
and back again.

today I know that I'm only a sparkle of sunlight
	shimmering on the surface of an ageless sea
today I hear the blade cutter in the distance
	but I know it's not for me
today I know the scariest thing I've ever known
	that I can't make my life
	the life I thought it would be
not today
maybe tomorrow
but not today.

(PDF version)

tired of being a bullet

I'm tired of being a bullet
I wanna be a butterfly.

I'm tired of trying to hit targets
I wanna float
meander
get there when I get there
stop for snacks
pull over and take a nap
absorb the local color
check out some flowers
see the sights.

I'm tired of aim and speed and straight lines
I wanna let the wind take me where it takes me
I wanna zig the zag
loop the loop
go backwards
act on a whim
get lost for a while
and wind up right where I need to be.

I'm tired of my blue steel skin and my gunpowder guts
tired of making holes in things
tired of the bang and the bam and then ...
	... nothing
I wanna be ancient and new
soft and light
fragile and strong
I wanna migrate
flutter in the breeze
join my tribe in the trees
I wanna go home.

(PDF version | Video version)